I know, I missed my last blog post. *hangs head in shame*Bad, bad laundryhag. Thirty lashes with a wet noodle and all that jazz.It's not that I don't care, really. It's not you, it's me. *snicker* Actually I just had nothing to say. Yep, still writing, nope nothing new on the home front, no new releases or zany adventures. People don't believe me when I say my life is boring.With me it's not so much as what I say as how I say it that's where the entertainment lies. Luckily this week, I've got some real entertainment planned for you. My disgustingly talented friend Rachael Saltzman has a brand new project she's working on. And it's a topic near and dear to my heart.I'll let Rachael tell you all about it!Atlanta Nights: The Movie by Rachael SaltzmanThe worst book ever written, to become the worst movie ever made!
As an aspiring writer myself, I hang around writing forums like AW to learn tips, hints, and techniques; and to hang out with like minded people.
Some things were not so fun to discover.
Before reading the message boards, I didn't even know there was such a thing a literary fraud. How much money can really be conned out of aspiring writers?
As it turns out, quite a bit. Scammers pretending to be agents, editors...even publishers.
My first impression was incredulity. Then disgust. Then, I got mad.
I wrote my own blog posts about what to watch out for. All of my six followers at the time read them. Oh, oh I was one!!!
I shared the information on social networking sites and helped save a dozen more people.
That's a great thing, but it's just not big enough.
Then, I learned about the Atlanta Nights sting manuscript. I laughed, cheered - and realized that unless you travel in well-versed literary circles, people hadn't heard of it.
What could I personally do to make a big enough splash to get the word out to people that might not be familiar with the online resources or the pitfalls?
Well, I work in film. What better way to share this story than a wide spreading, generally accessible medium? So here I go.
1) Can you give us a quick synopsis of the plot? And no, you don't need to reveal the ending.
Hahahahahah! This book doesn't actually have a coherent plot, which was part of the plan when it was written. The writers had no contact with each other. We scratched our heads for a while trying to figure out how to make a coherent movie out of the text, then came up with the brilliant idea of not even trying. Rather than a normal movie, this one will be sliced up into chapters, with each chapter featuring a brief interview with the writer, then a scene visualization of that chapter.
Oh, see, now that's good!
2) You already mentioned that you hope to save other aspiring writers from literary scams. What specifics do you plan to highlight in the movie to underscore this point?
Well, I'm trying to get James MacDonald (head of the Science Fiction Writers of America and mastermind behind the book) to do an opening intro introducing himself and explaining why the book was written in the first place. Each interview will go into a little tidbit of writing and publishing information, and things to watch out for. I'm also going to ask what canon rule of writing each writer thought they violated the most effectively, and try to highlight that in the narrative portion.
3) We all know books tend to get chopped to bits when they are turned into movies, do to time and whatnot. Is there anything you intend to cut right from the start?
Right away, there's one chapter that consists of a couple of blank pages, so I don't think we're going to do much with it (though that might change a little bit - there's just too much funny in ten seconds of some actors just standing and staring at each other). We did have some back and forth regarding the numerous (and often mind numbing) sex scenes that are in the book. We're going to shorten those up considerably, or we'd be making a very different kind of movie. And we just won't have the budget to compensate actors for nudity - plus we want to keep this film in the G-PG 13 area to make it as accessible as possible. There are some ideas being tossed around now that are all pretty kid friendly, and funny to boot!
4) When you do raise enough money to do this what will your first step be?
The very first thing I'll do is stare of into space in wonder. Then, I'll probably run around my apartment screaming in incoherent joy and scare the crap out of my cat. Next, I'll draw up a rough budget based around the available funds, and alert my cohorts that the film is a 'go', so we can start securing locations and stuff.
Sounds like a bitchin' plan!
5) Can you highlight the steps involved in a project like this?
Sure. One of the things that was different about this project than any others I've done was that its based on a book, which meant securing the film rights to said book. This took a while, because nobody had actually thought someone would be crazy enough to want to make a movie out of it. Most books have a boilerplate kind of contract that can be sent out pretty quickly if someone shows interest, this was not the case here. And it took a bit of back and forth to explain that I really was serious about making the project, and wanted to do it right.
Step one is really more deliberation than anything else. I toyed around with the idea for about a year after I discovered the Atlanta Nights book and back story. Some of that was about the target audience and if I could reach them. Some of it was about how to possibly create a coherent narrative. Some of it was wondering if I could handle the scope (huge) and limitations (many) of funding a project of this nature, and could I dedicate this massive amount of time and energy to what would be a 'pure love' project. I spent a year saving every possible dime so I could at least take a month off to shoot the narrative parts.
The right time to start fund raising was quite a bit later than I'd hoped. When you're working from your own stuff, you don't have to worry about contracts. For this project, I didn't feel like I could start until all of the legal stuff was squared away. We did start on a script earlier though. Another consideration is location. My co-writer, Roy C. Booth, lives in Minnesota, and has a great network of creative contacts there. One of the coasts would be easier for my tech guys. The overwhelming enthusiasm and support shown so far by this cool little town pretty much cinched it - we're shooting in MN. That adds some logistics craziness to my end of things - getting my crew and their gear to the middle of the country. But I think it'll be more than worth it - New York is way over-shot, and the smaller town setting has so much to offer.
Just thinking about all involved makes me tired.
6) How long will it take to film?
The narrative portion of the film is currently slated at six weeks - which is pretty standard for a low budget film. The interviews? I'm going to be traveling a lot and working around the schedules of quite a few writers, so that piece of the puzzle may take quite a bit longer.
The actual shooting of a film is the shortest part of the process, believe it or not. Pre and post production take quite a bit longer.
7) What kind of marketing plan do you have in place to spread the word?
Bugging my writer friends for help, of course. Seriously though, I've set up a FaceBook page and a Kickstarter page talking about the project. The FB page will have shorter updates, while Kickstarter is friendlier about video hosting and has an 'updates' tab that functions as a blog. We'll link the two. As we get into post production, there'll be more attention. We're working on setting up an IMDB page for the project as well. Honestly, I'm a complete luddite when it comes to promotion, all this stuff is completely new to me. It'll be an experience, and I'll be doing a lot of experimenting to see what works and what doesn't. When we get closer to production, I'll most definitely start Twittering about it.
More than happy to help a girl out!
8) Where can our readers learn more/ donate to this uber awesome project? (I'll set the link in here.)
9)And of course, the Wild Card question. Boxers, briefs or commando, what's your personal preference?
Boxer briefs. There's just something about the way they frame the leg...
Rachel, thanks oh so much for stopping by! As soon as I receive my next paycheck I'm pledging $100.00 to your awesome project, since I was once a young and innocent writerly type!
And you can be sure that Rachel will be the first person I'll call to turn one of my books into a movie!